In the Studio: Weaving

When I began creating Sabzeh, inspired by Omid Fallahazad’s short story of the same name, one image I kept returning to was weaving.

As I talked with my collaborators, weaving gradually became more than an image. It became a way of thinking about the project itself. Together, we kept asking how this single act could shape not only the music, but also the movement, video, fibre art, and the experience of being in the gallery.

Only later did I realize that Sabzeh didn’t grow by adding more elements. It emerged by discovering the few that already contained the heart of the story.

What has stayed with you?