O Nightingale is a composition inspired by one of Rumi's poem, Nightingale. O Nightingale is commissioned by Chicago based musical group, Nightingale Ensemble. The composition is scored for mezzo-soprano, flute, guitar and harp.
“Beauty, love and Justice” is a five-movement orchestral composition approximately 16 minutes long. It is developed based on the basic musical elements that I found common among all cultures such as repetition of simple rhythmic pattern, harmonic series and natural sound effects such as breathing, humming, whispering, talking and air sounds. In addition, I explored various ways of incorporating unusual timbral effects and extended techniques to create an intriguing sonic environment. My ultimate goal was to create complexity by fusing simpler musical elements.
The Stars Are Setting is composed for mandolin orchestra, guitar quartet, voice and strings based on 4 quatrains by Hakim Omar Khayyam (1048 – 1131), a Persian poet, mathematician and astronomer. This composition was commissioned by the Seattle Mandolin Orchestra in conjunction with the Seattle-Isfahan Music Project.
It will be world premiered on June 3, 2018 at Trinity Parish Church, Seattle, WA
For more information about the project please visit: https://www.naeimrahmani.com/seattle-isfahan-guitar-project
A Cup of Sin is composed for chamber ensemble and soprano based on the poetry of Nobel Prize-nominated Iranian poet Simin Behbahani. In this poem, Behbahani addresses sexual violence against women. A Cup of Sin was commissioned by Tim Brady for the Instruments of Happiness - The Lioness of Iran Project. The composition exists in two versions:
- Voice and electric guitar quartet
- Voice, clarinet, piano, viola, cello and electric guitar
The creation of this composition was made possible by a generous grant from the Ontario Arts Council Music Creation Project Grant.
Performances: Toronto (Mar. 22, 2018), Montréal (Mar. 27, 2018), Québec City (Mar. 29, 2018)
The Seville Orange Tree is a composition written for flute and piano. It was co-commissioned by flutist, James Strauss and pianist, Andre von Frasunkiewicz, in 2017 for the Bicentenary of the Birth of Bahaullah, the founder of Baha'i Faith.
How I Love You is a mini musical play for children composed for soprano, flute, cello, percussion. It is commissioned by Sharing Notes-Ear Taxi Festival 2016. It will be world premierd at La Rabida Children’s Hospital on October 6, 2016.
Dust-Flower-Flame (2016) is a long documentary film about Tahirih Qurratul-Ayn by Shabnam Tolouei.
To watch the trailer please click here: https://bit.ly/3cwc2vh
The documentary has been broadcast in: Pouya Cultural Center, Paris (May 2016), Le Nouvel Odéon, Paris (July 2016), Stanford University and University of Maryland, USA (August 2016), The Regent Street Cinema, London, UCLA, SVA Theatre New York (November 2016), Toronto, Canada (February 2017), Yale University, USA (February 2017).
"Layegheh" (2016) 62 minutes, is a poetic documentary based on the life of Layegheh Doorandish, the first woman TV anchor and producer in Abadan, Iran. Her life stories revisit the early days of TV in Iran, revolution and war, and rebuilding life in exile. It is directed by artist/filmmaker, Rashin Fahandej.
To watch the teaser please click here: Layegheh.
The documentary has been broadcast on: ManoTo TV (April 2016 ) and VOA (June 2016)
And the Lands Were Dreaming was commissioned by Anoush Tabai for tenor, b flat clarinet and piano to be performed at her 4th-year recital degree in Spring 2016. The poems are by M.R. Zaman and Sohrab Sepehri.
Audio information: Anoush Tabai (clarinet), Asal Iranmehr (piano) and Shayan Shaffie (tenor)
Its Around 130 is a composition for marimba and fixed media. It is inspired by my baby boy's heart beat that I recorded on week 28th when I visited my doctor.
The tape part includes: my baby's heart beat, sound effects edited and processed on dumbak, recording of my husband's voice reading a passage about our baby's name, Elia, parts of my conversation with my doctor as well as other sound effects that represents sounds that a baby may hear when he is still inside his mom.
I would like to thank amazing and talented dumbak player, Bijan Rahmani, for recording sound effects on Dumbak for this composition.